作　　者： ; ;

机构地区： 暨南大学文学院

出　　处： 《湘潭大学学报（哲学社会科学版）》 2008年第2期104-109,共6页

摘　　要： 二三十年代茅盾的小说创作中涌现的都市意象远远超出了将都市作为背景的表层意义,他在这一系列小说中所表现的都市欲望、躁动情绪和都市文化的深层含义是根植于传统又超越了传统的。现代性视野中,都市拯救意识在他的作品里表现得尤其明显,在对以上几个方面的创作实践中,茅盾完成了政治想象的宏大构筑。 In 1920s and 1930s,the urban imagery in Mao Dun s novel creation was far beyond the surface meaning of just setting city as a background.Urban desire,agitation feeling and the deeper meaning of urban culture were rooted in tradition but went beyond the tradition in his series of novels.In modernity perspective,urban rescue awareness was especially explayed by his works.In the above aspects of the practice of creativity,Mao Dun completed the magnificent construction of the political imagination.

关 键 词： 茅盾 都市意象 二三十年代小说 都市文化 都市拯救

领　　域： [文学]